Missing Persons

"...a stunner."
—Women's Studies

“...elegant, poetical…emotionally affecting…  and despite the gravity of the subject, punctuated with lighthearted humor.”  
—Kirkus Reviews

“...fascinating foray into loss, grief, and self-identity…real and raw, reminiscent of Joan Didion's Year of Magical Thinking."
—Story Circle Book Reviews

"When Gayle Greene suddenly becomes the last living member of her family, she finds herself yearning for a fuller understanding of the people she has lost—her complicated mother, her father who left the family decades earlier, and her brother who took his own life. In Missing Persons, Greene's attempt to untangle her knotty family history (while dealing with a house crammed with its detritus) becomes a remarkable act of exorcism, reconstruction, and epiphany. Missing Persons’s mix of candor, humor, and wisdom will speak to anyone who has ever lost a loved one—as well as anyone who has a loved one to lose."
—Jean Hegland, author of Into the Forest

“Gayle Greene's Missing Persons is a compelling work. A powerful memoir of growing up in a California that we've lost, as technology has replaced orchards with internet servers, the book introduces us to a lively core family: two closely bonded sisters  and the author herself, along with a charismatic but feckless father and a sweet but eventually depressive younger brother. Focusing in particular on the deaths of her mother and her aunt, Greene also recalls the best moments in her childhood, her parents' divorce, her father's adventures, and her brother's sorrowful suicide. Another theme is the writer's own evolution as a woman and an intellectual. The writing is vivid, passionate and yet disciplined, in many ways a tour de force. Hard to put down!”
—Sandra M. Gilbert, author of Wrongful Death: A Memoir

“Missing Persons is a lyrical, deeply moving, fast-paced and emotionally powerful memoir. It speaks to many possible readers: to the recently bereaved, to daughters who have lost their mothers, to the generation of feminists who strove to forge new lives and identities out of the strictly prescribed roles for women in the 1950s, and to the ways we all struggle to re-ground ourselves and forge enduring bonds of friendship and family in the midst of loss. As a reader, I felt gripped throughout.” 
—Madelon Sprengnether, author of Great River Road: Memoir and Memory